冇錯，唔穩定唔等於一直難聽，但係你用重口味做example咪同就算世界無童話一樣唔啱佢唱囉，但你唔會否定佢係一個唔好的歌手嘛，因為佢唔係成日失準吖嘛，that’s the difference，我揀嗰啲歌手係唔穩定之餘有難聽嘅因素，仲有，你話我揀啲unfavourable片，可唔可以舉例？
As for your point about me cutting excusable live shows，what's your definition of excusable? Shouldn't singers be prepared to sing well regardless of where they're singing at? 點解同場合有啲歌手會唱得好過其他歌手，明明同一個sound stage，好多時發揮係兩個extreme，好似Jay Fung請AGA做嘉賓唱AGA嘅歌竟然唱得好過佢咁解。
至於你話「歌手要market自己做偶像先生存 不斷練歌改進唱功嘅搞個細show都無人睇 係好本末倒置 但現時市場生態係咁」So？ Just because that's the "new" standard doesn't mean singers should be excused from giving shitty performances。你可以欣賞錄音室歌手，我可以criticize唱live差嘅歌手，冇衝突。
唱歌基本要求係音準拍準咬字好同埋識用聲，淨係靠表演慾係唔夠，起碼要聽得入耳，依家呢個吹勢搞啲歌手個個都以為唱得差冇咩大不了，但係如果要佢地代表樂壇出去做tour/festivals，又走音又扯頸又甩拍，真係笑大人吧口，just because 盲粉覺得佢地嘅偶像可以掩人耳目唔代表觀眾要接受。
AgathaThong 發表於 2022-10-20 03:25
發表於 2022-10-18 19:22
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